★★★★ "The world is full of women with no voice of their own or no one to speak on their behalf. It is good that Goblin Baby Theatre in its own way highlights their plight in an entertaining, but provoking fashion." - Female Arts

★★★★ The superstitiously secular, domestic world of Claire Booker’s The Devil and Stepashka manages to create a believable male Antigone in what ends up to be very literally one hell of a double-bind. - Exeunt Magazine on The Devil & Stepashka (June 2014)

★★★★ The production is gripping and thought-provoking from beginning to end and left the audience with something to ponder and think on. (...) [Claire] Booker’s play is very brave as well as unusual and this production is one of those hidden gems on the London Fringe.
- Remotegoat on The Devil & Stepashka (June 2014)

Inspired by Tolstoy's The Devil, Claire Booker's play explores what happens when passion crosses over into obsession and - in keeping with the company's focus on political theatre - whether justice can ever be obtained within an inherently corrupt society. (...) The Devil & Stepaskha is an intriguing new work which leaves you alarmed that such obvious madness could play out so dangerously. 
- Views from the Gods on The Devil & Stepashka (June 2014)

★★★★ Zhenya (Paul Christian Rogers) is a rational man. He knows that if he succumbs to his passion for the peasant Stepashka (Tessa Hart), his idyllic marriage to another woman will be wrenched out of joint. And yet he knows that he can never get Stepashka out of his mind. The superstitiously secular, domestic world of Claire Booker’s The Devil and Stepashka manages to create a believable male Antigone in what ends up to be very literally one hell of a double-bind.
Read the complete review at Exeunt Magazine

★★★★ The production is gripping and thought-provoking from beginning to end and left the audience with something to ponder and think on. (...) The set was simple but clever. (...) The cast of four was diverse and international but all delivered solid performances. (...) Booker’s play is very brave as well as unusual and this production is one of those hidden gems on the London Fringe.
- Read the whole review on Remotegoat

Inspired by Tolstoy's The Devil, Claire Booker's play explores what happens when passion crosses over into obsession and - in keeping with the company's focus on political theatre - whether justice can ever be obtained within an inherently corrupt society. (...) The Devil & Stepaskha is an intriguing new work which leaves you alarmed that such obvious madness could play out so dangerously. 
- Read the whole review on Views from the Gods

★★★★ 'Retold. A Fairytale Festival without the happily ever after’ is very special to watch, something unusual and different from your average fringe show. (...)  Goblin Baby Theatre Company seems to have a knack for finding ways to address at times challenging or unusual topics through theatre.  - Remotegoat

...there is great intelligence and ambition here; this is definitely a company to watch and it will be exciting to see them grow...  - The Public Reviews

It's nice to see Goblin Baby attempting to take a stance akin to [Angela] Carter rather than the derivative guff that has come out of Hollywood and TV studios of late... - Views from the Gods